Julián Delacruz
The Ghost Who Listens
after Canisia Lubrin and Olena Kalytiak Davis
“I has bouts of anxiety about LIFE CONTINUING after “I’s” DEATH
These intrusive THOUGHTS are concomitant with the risks “I” TAKES
“I” is very attached to “I’s” SUBJECTIVITY, “I” feels like “I” is being RIGGED
“I” knows how involved PORN is when “I” rejects people of “I’s” own race, selecting WHITE BODIES
“I” wants to RISK it all during Coronavirus crisis
When “I” DIES, & “I” WILL DIE, “I” doesn’t want anyone to say “I” is PRETTY
“I” feels an URGENCY after reading SHARPE’s “In the Wake”
& is worried about “the making of bodies from FLESH, into FUNGIBLE commodities—
while retaining appearance of FLESH/BLOOD”
“I” might be attracted to RACE play, “I” watched a scene in which Alessio Vega uses the N-WORD
“I” thinks “I” wants to hear this from “I’s” cis WHITE boyfriend, genuinely, as a person
“I” doesn’t even believe in using JUSTICE language, “I” is simply APPROPRIATING it for AFFECT
“I” wants to get down to this business of when “I” will actually begin to LOVE “I”
“I’s” intrigued by TONY HOAGLAND’S “a poem is not a teddy BEAR”
& “I” believes Anais Nin “in MUD & HUNGER, everything is DREAMED”
“I” finally bought LIGHTS for a ceiling fan & light is now PROJECTED into every corner
& because “I” can’t DEAL with “I’s” dark IDENTITY, “I” starts using “I’s” PALM
& slumps into “I’s” maw of INCORRIGIBLE sex addiction
“I” believes it remains to be seen whether HUMAN nature can be course CORRECTed
“I” knows from personal experience, “I’s” a SWIRLER, a slut for Jungle JUICE
“I” carries the picture of the weird colonial man into the bathroom where “I” enjoys the idea of being WATCHED
“I” has parents who never respected “I’s” need for privacy as “I” poops, “I” was SPANKED
by an Afro Caribbean mother, a white father, a rich mother, a poor father, they TAUGHT “I” to behave
“I” removes the picture of the weird colonial man from “I” kea after George Floyd’s MURDER
“I” has quite Facebook & is “CLeanOSING the doors of PERCEPTION”
“I” cleans out “I’s” room to find fifteen empty popper BOTTLES
Remembering Floyd, “I” worries this cease, this lack, this DENIAL of benefit of being a citizen
or of being human, can happen to “I” at ay time, has caused “I” to stay at HOME
“I” doesn’t want to risk tear gas & FRACTURED SKULLS
“I” thinks if “I” LOST “I’s” FINGERS it’d be the END of “I’s” LIFE
“I does daily OIL pulls in front of a mirror pockmarked with TOOTHPASTE,
though “I” is complicit in an economy OF BEAUTY that leaves OUT PEOPLE like “I”
“I” reads through the Universal Timeline, “I” knows EARTH will be three times HOTTER than VENUS
in a few billion years, and that the universe will CRUNCH but according to “I"‘s” FRIEND KATIE,
“the stuff of us is always going to be around, has always been.”
“-we’ve been CHEWED up & SPIT out by the machinations of the GALAXY, for like, ever”
“I” wonders if “I’s” boyfriend is SILENT about extravagant forms of racist ABUSE
& while climaxing, “I” dislodges a big pearl of SPIT onto his chin
“I” knows that in writing something like this, “I” is giving strangers the “KEYS”
“I’s” worst-case scenarios: lung CRYSTALS, Kaposi’s SARCOMA, Sudden Sniffing DEATH Syndrome
“I” is a person lucky enough to own a CEILING FAN
“I” loves “I’s” backyard bougainvillea, though “I” still advocates for the BROWN spot of grass under her
“I” believes that when you fuck, there is a GHOST who listens
“I” bites “I” self when you WALK AWAY
SNAKEBITE PSALM
Waiting for results after doing it. With a meth head.
chlamydia has a rhythm to it
Post-test, I hear nurses whispering. about Syphilis
every two to three months
& I’m snarky w/the needle, gleaming bottles. Penicillin hits deep,
my cock hurts, stings
deeper than a tetanus shot. The vaccine is colorless and hurts.
from jerking after sexting with men
I imagine a scissor beneath me, a sick joke,
doing someone’s history homework
to get rid of erections I need to stop thinking of insertions
to pay for a shot & a pill,
for what builds inside me, cum spurting
& still, i lack insurance paid for penicillin
barrels of strained sulfur in my shower
& those welts once a week for 3 weeks
head all rusted with calcium deposits only a landlord
i faced admonitions came in cold & slow
can clean. For once, I want to feel clean not like this mound of dirt
waiting rooms peopled by persistent coughers
at church. For thirty days my cock until cured
signed my name hurried in slapdash scripts
won’t be a lightning rod for jock straps. On this day,
waiting for results people have done it. for centuries
do not want to be a queer man. Queer men are
even nietzsche died from the spirochetes
always giving each other snake bites.
doctors used to clap bricks together
Outside, the palo verdes vomit the sidewalk in pointillist brush stroke
to rid a man of discharge i
The streets are blowing crumpled blue masks
have dug my hands into nietzche’s mane it is
The month passes with slow applause from the palms
a small room and it is smaller than my
& he’s conducting again behind sheet-wrapped windows.
death my name quarantined in that box
Where I live, there’s so much berry & bird shit.
some say syphilis schizophrenia jungian shadows
A cocktail is mixed, a liquid I distill for my guest
i say stop fucking men in
from the fruit trees. Stars sparkle in the glass. My guest
motel rooms thin rubbery men stop fucking them
in those rumpled blue stockings, crossdressed
the doctors think the spirochetes will eat my brain
& panting like he’s been killed. He cums.
one day soon
Pompeii Revisited
I’m watching the video we fuck in,
the jazz of our li ps cracking, gingersnaps.
Cock between fingers I draw sap from a redwood
with nothing to k iss except video,
fumes returning me to a corner of childhood
on the blue bedspread where I let men use me.
Always, I think of the first man to let the amyl
climb up my nose, incurring rope burns.
He was Venezuelan, with a scorpion tattoo,
eating me out on the fifth floor in the same building
where one of my classmates died
because her mother caught her fucking some dude
she chased out the door
down seven flights across the street.
The girl fell when she looked out the window
which had a faulty lock.
Everyone was sad but me, I didn’t know her.
Other people made a joke of her crushed forehead
but that is not what I want to remember.
Most nights I’m between wine & a dolphin.
There are only a f ew species that fuck for fun,
but when I love, I’m tuna at the bottom of the crate.
My fish scales say pick me pick me pi ck me,
but don’t smell me, don’t smell all the barrels I’ve been through
& all the cellars I’ve been turned from.
I’m a statue that lets thou sands of pigeons shit on it.
I’m watching my hands crumple off my wrists.
A thousand virtues have passed through me
& I’m about to deal with another at the doctor’s
where I’m just a simple single boy
writing irretrie vable love notes— I’m Scheherazade—
when I get my on my phone I’m not looking
for any q-tips or pipe cleaners,
I’m not looking to be impaled by moose antlers
or wrapped luxuriously in copper wire.
I’m not brave enough to conduct myself
as anything other than a mind reader who can only
please himself—new nipple clamps from the guy
who will give me chlamydia, 7.14 GB,
239i tems of porn, five videos I will, never delete,
three OnlyFans subscriptions totaling thirty dollars a month,
which had to happen after Tumblr’s demise —-
how I mourned & mourned until I was
turned on by the Empire State Building’s rose color.
It was hard to wipe my computer’s thoughts.
Each time I attempted to quit VLC media player,
I just wanted to see you again, unzipping your faded jeans & scuffed boots,
making me safe when I was nothing but outcast. Wanderer,
I remember reaching up to touch a bit of your goat hair.
“Are you a pornstar?” “No,” you said, your voice a dim piano,
“I’m a renai ssance filmmaker.” I filmed you against your will
because you kept leaving me for that other guy,
dumping me into the via negative when you knew I
was teenaged you fucked me in your red van
anyway, us going down that scenic hill,
my hand curled around your thumb.
What I would do to get another heaping
swallow full of stars from you, another
sixty watts I can’t get from these guys
who pass off their genitals like coins.
No conduction, no, not from
the twink who comes flitting the stairs
in a cross shaped leather girdle, his desiring
what was always done to me but I couldn’t
wash off my ghostly stains
which is why I admire your clean, clean room, Steve,
& I think your toilet is a throat. to another world,
& I think our sin k is testing us with its incipient singing,
glugging like it’s been hypnotized.
Who if I called out would hear me
among the red stop signs ryin traffic lights?
Most mornings I scratched off skin from inside my nose
I was bleeding so much from the poppers
and now there’s just a low grade headache.
I carry Taos hum in my eyes,
hum of rapid heart beat, chlamydia,
the histories of all these men squirming in me
& I’m on Facebook trying to contact you again.
Shouldn’t I know what I am?
I’m not enough for designations or grapes
or the redness of your knees, your tallness,
the skin stretched over bone or all these other
men who keep distracting me like traffic lights
or bathtub plugs, the buoy floating in cum,
wave after wave of embarrassment.
I am furtive with doctors,
forthright when I need a cure,
& shrinking when I’m asked about risk.
I’m tuned to a chorus of typical behaviors.
I keep notes about myself in a red bookbag.
I know red lights & stop signs trigger me
& I go running to the closest bed,
the bull’s sudden corrida.
After breakfast my hair was curling into horns
but it was just the cow lick of my shadow,
post-Halloween when I sold myself
to a Belgian dressed as a pimp.
Consecrating my lips to her,
I dated a satanist who held my wrists
& cried because he wouldn’t let me cum.
Why was I sleeping on satin sheets
with someone who collected knives,
who cursed his lovers to die in ruined buildings,
whose friends make sketchy remarks
about the brown-skinned?
& I’m trapped
writing about meth heads
that gifted me a palace of penicillin shots,
that stretch of lonely road
from my part-time to the clinic,
making me rue the days I used motels
with an old rubbery man in a jock strap
who kisses me like a cold sausage link.
Because I need a magnet.
Because I’m never content.
Nothing hurts me
like when we go back to strangers,
to when I’m na ked & rankled.
I sit on my bed & read The Carnal Prayer Mat.
In it, Weiyangsheng
can’t stop sleeping with women
no matter how hard he tries
& because he sees everything
the God of my cock begins to laugh
at my jaunt up the cracked stairs
of a hoo ker’s apartment,
how I’m caught between the seeds
of another Treponema epidemic
so soon after escaping the psych ward,
meditation being
one of all my failed treatments,
triggering a bout of pure OCD,
urging me to shove
an umbrella in someone
& to press the button
making them bloom
all fleshy & fiercely.
What does an umbrella in a pussy
have to do with me, I whispered,
scared it would be a permanent date
with the wound that begat me. Mother,
I need to be a grapefruit apart from you.
Heterosexuals are so degrading.
They can’t even hear my cries
unless I’m chanting from the other room how I’m a buggery,
a pandora of virus & exoticized palms
shucking the coconut of a football player
who tells me my ass is like Beyonce’s.
& since a thing’s value is not the time it lasts,
but the intensity with which it occurs, I’m chanting
to call down his cum & all that would arrest him.
I tape record it all, the intensity of my love-starved mouth
when the lights are off & I only see you & the flicker
of that time I fucked a trucker & slept with 17 men
following that Jewish boy to Cali.
Thousand Oaks was the site of my attempt at maiming,
his tires greeting my head on the driveway
where I was sleeping like a tau cross
waiting to be kissed & I remember,
in the hundred degrees emanating,
how the stars reflected the sad pieces of succotash I am,
how the heat made me succulent for ants,
kept me awake at night,
my genitals a bleeding bougainvillea in my bed’s ever rustling.
I go weak for Russians, Ukrainians,
those hypnotists who make my dick stand up.
Still what dances across my head are the rivulets of your hair
& the dramatic crack
of light from the bathroom we left soaking,
feet moistening the carpets, our condensation on the rich blue tiles
& the door closing like the sunset on our silhouettes,
two men hanged, a tarot card or a flower.
It was intimate & a climax, wide open & then
“Shh! We have neighbors” & then “Shh! I can’t love you—I have a boy friend”
& even when we did try to love again our intimacy was ruined by gonorrhea.
O painter, I wanted to learn your secret borscht recipe
but we kept getting interrupted, & it’s like this, with the men I desire.
The best of them are staked territories living their lives
and yet I’m still putting whiskey in her husband’s hand,
practicing my old habit of changing Valerie into a dragon
& fitting her husband into a pink leotard.
O Val, I’m paying a platoon of faggots to take you into the wings,
so I can steal the corsage off your husband, eyes crusted after drinks,
when his mind wakes up like a city for me.
In the meantime, I’m still strumming his leg hair like fiddle strings
& when I put them in the drawer after hours of huffing them,
at least the gym sock staleness of the poppers
aren’t bothering me all nights as I’m ordering more,
preparing myself for another brainstorm of hurt
but this time I’m adding Gun Oil to my cart, for better slippage
& Uber trips to sketchy parts of Newark between two & six.
When a husband is looking for a threesome I say,
“Yes, I possess a mouth such as hers: red, petulant, brutally
pouting,” & of course I’m supposed to be writing
but all day I’m staining an island & paying with lost copies of myself,
every finger sucking this nun chuck, this blind worm,
burnt bratwurst, my hard, half-hanging curtain rod,
this purring Vesuvius of seared cock, erupting in New York
or Phoenix, cities I learn to judge by how beautiful its 30 year olds are.
The friends I make fuck me so hard I fear I’ll live
the rest of my life with a colostomy bag,
white shirt shit-stained sainted a halo of flies-
Remember, I was little, I was naked, I was choked,
I was stealing an old man’s poppers
& held up by my neck against a gray door.
Walking the Condoms
I smelled those condoms taking them out of the trash
every two or three days latex clean but still smelling like you
a bright hibiscus. I rode them across my tongue until
my breath stank. I imagined my tongue incubating
inside you a prickling blue myrtle cactus /// wrong
it was all wrong I smoked too much it was my complicity
of smoking darts now lighting the earth
as it happened in Ojai every lung cell trapped like burning peonies.
My santa ana’s fire whisked its illness
across the scars of your cells but look at me now
teething myself across your living lips, suckling for something
crimson & trundling— give me all the sugar
darling and I will go crawling over the reckless trellises
to this plague that spits out the lemon juice,
scared & burnished & darkly laudanum. Fate is waiting
a Jackson Pollock of calcium spots. to sing notes about U
in CVS mainly U=U or cancer maybe
or maybe the pubes falling off like patches of another clown’s hair.
Why is it my science keeps pickling new cocks in a jar?
Keeps desiring its cradle of whimpering
nutrient dense angels made of huesos and welts?
& some god of rawness in the mix haunted with gloves
and insects— ballistic missiles in his shaft?
A god made of puckering tangerine skin tags
cigarette slim with index tapping the side of a vial
his tongue a bitter bacterial vibraphone
lined with a minefield of dog shit.
I didn’t expect such a smoke- filled night
so repetitious with tinkering
Love Poem to Integration in the Rust Belt
Notes
“The Ghost Who Listens” — “the making of bodies from flesh, into fungible commodities…” was quoted from Christina Sharpe’s In The Wake: On Blackness and Being. “A poem is not a teddy bear,” is a line from Dear Claudia, Tony Hoagland’s response to Claudia Rankine’s letter about race.
“Death Spasm” — Before succumbing to madness, Nietzsche dug his hands into a horse’s mane to save it from a whipping, and spirochetes are the cork-screw shaped bacterial bodies of Treponema Pallidum (otherwise known as Syphillis).
“Pompeii Revisited”— “Yes, I possess a mouth such as hers: red, petulant, brutally pouting” is quoted from Essex Hemphill’s poem “Heavy Breathing.” “A thing’s value is not the time it lasts, but the intensity with which it occurs” is a quote by Miguel de Unamuno.
About the author
Julián Delacruz (he/him) is a medium who writes poems at the border of seance and madness. He received his MFA from Arizona State University and lives and teaches in Los Angeles, where he is working on his first collection, The Ghost Who Listens. His work has previously appeared in The Lambda Literary Spotlight and The Bennington Review.
You can find him on instagram @tar0boy and at his website https://www.liinks.co/julian.delacruz